The story of James Burton’s early years told in this fine new compilation revolves around fast recognition of his talents by key US musicians who witnessed the teenager’s playing enhancing records with distinctive and memorable licks. A similar recognition occurred in far off North London in 1967 when I began to track down albums on which Burton featured for another precociously talented guitarist, Richard Thompson, who during the early days of Fairport Convention was soaking up so may diverse musical influences. Richard had heard Burton’s playing on some Rick Nelson tracks and enthusiastically asked if I could find as many of Rick’s albums on the Brunswick label as possible. Amongst the ones located were “Spotlight On Rick”, “For You”, “The Very Thought Of You” and possibly the cream of the crop, 1966’s “Bright Lights And Country Music”. It was on the latter that Burton was the only musician name-checked by Rick, a most unusual accolade at that time. Having listened to the album with Richard, a swift return to the shop quickly secured a second copy for my own collection.
James Burton’s story really kicked off with his distinctive playing on Dale Hawkins’ ‘Suzie-Q’ in 1957, though earlier work is included here. Soon after he worked with producer Jimmie Haskell on enhancing key tracks from Bob Luman and Bobby Lee Trammel, but the next step up came when Haskell introduced him to Rick Nelson. Burton was still only 17 in 1958, but immediately became the cornerstone for Rick’s road and recording band as he entered his halcyon hit days. Having such a strong back-up guitarist must have given the shy singer a great deal of added confidence. James Burton was to Rick Nelson as Scotty Moore was to Elvis, and Hank Marvin to Cliff Richard.
With his work with Rick Nelson came credibility within the recording industry, allowing Burton to fully develop a session career that was every bit as important. The 60s saw him working with Lee Hazlewood, the Everly Brothers, Merle Haggard and even Buffalo Springfield on Richie Furay’s ‘A Child’s Claim To Fame’. Along the way he found time to be part of the Shindogs, the house band for the Shindig TV show, and a brace of their released tracks are also included. As Burton acknowledges, it can be quite easy for fans to miss much of his prolific work, including as it did playing with artists such as Nat King Cole, Ray Charles, Sinatra and Elvis. This comp not only begins to tell the story, but also illuminates the darker corners via rare recordings that are so beloved of collectors. A second volume is planned that will take in Emmylou Harris, Gram Parsons and Elvis, but for now let’s marvel at Burton’s journey from Shreveport’s Louisiana Hayride house band in 1957 to the later 60s when he was fully established as the guitarist that everybody wanted in their corner.
By Kingsley Abbott
Tracklist:
01 Susie-Q - Dale Hawkins
02 Red Hot - Bob Luman
03 Shirley Lee - Bobby Lee Trammell
04 My Babe - Ricky Nelson
05 Cannonball Rag - James Burton
06 Don't Leave Me This Way - Ricky Nelson
07 The Creep - The Shadows
08 Stop Sneakin' Around - Ricky Nelson
09 Swamp Surfer - Jimmy Dobro
10 Make Up Your Mind Baby - Bob Luman
11 Fireball Mail - Jim & Joe
12 Blood From A Stone - Ricky Nelson
13 Real Live Fool - Lee Hazlewood
14 Daisy Mae - Jim & Joe
15 Everybody Listen To The Dobro - Jimmy Dobro
16 The Guitar Player (The Ballad Of James Burton) - Buddy Cagle
17 Jimmy's Blues - Jimmy Burton
18 Poor Boy Looking For A Home - The Green River Boys feat Glen Campbell
19 C.C. Rider - The Everly Brothers
20 Love Lost - Jimmy Burton
21 A Child's Claim To Fame - Buffalo Springfield
22 If You Want To Be My Woman - Merle Haggard
23 Moonshine - James Burton & Ralph Mooney
24 Corn Pickin' - James Burton & Ralph Mooney
25 Someday, Someday - The Shindogs
26 Why - The Shindogs
27 Just For A While - Carol Williams
28 Tryin' To Be Someone - David & Lee